Wall Of Sound Studios A best guitar collection is essentially much like a dynamic microphone coil. For decades, vibrant microphones have been sent with the style coil attached to the primary of the microphone's transformer, and perhaps not introduced to ground (‘floating'). The microphone's situation is usually connected to the cable guard, which will be connected to the microphone amplifier's surface (see Rane's website for more discussion).
By and large, dynamic microphones are very calm products as a result of the mix of transformer isolation and healthy, flying transmission lines through the duration of, in addition to guarded, humbucking coils.
Therefore why not guitars? Instruments are notoriously overwhelmed by noise. Humbucking pickups are merely a partial (though important!) solution. The obvious answer is always to float your guitar collection to a healthy output, as being a microphone. An identical idea was published this 2001 patent request like this Wall Of Sound Studios?